i dream in colour

gig review >> i dream in colour >> london >> 28.07.10

in the midst of the great british festival season it's easy to forget that we, the new-music-chasing public should be out there on these fine summer's evenings discovering bands trying to climb the musical ladder. with festivals showcasing what feels like seven million bands every weekend, we'd be forgiven during these warmer months for failing to get out to the dark and dingy gigs that turn these bands from underdogs to summer festival regulars. wanting to move away from the "festivals have everyone i want to see" mindset, last night i headed to london's brick lane to see 'i dream in colour', a young london outfit playing songs from their recently released ep 'the boiler room' (available on itunes, produced by iain gore - mystery jets, glasvegas, libertines). i'd heard a lot about them through a guitar tech mate of mine (tech is short for technician but i'm not sure what guitar is short for*). this techie geek has worked with some big names like maximo park, the maccabees and morcheeba (he prefers bands beginning with 'm'), so when a few months ago he described richard judge (idic's frontman/guitarist) as the best songwriter he'd ever come across, i was intrigued and keen to catch them live.

i dream in colour are a classic indie band, a lazy summation i know, but they are and it's not a bad thing, with all the usual suspects as influences - the beatles et al. they began with 'ready to go', a strong opener with a moody intro and memorable riff. second up was the one song that i and most of the crowd already knew, 'get along'. it had all the elements of a well crafted indie pop song, evidencing the songwriting prowess i'd heard all about. a couple of tracks came and went in the middle, perhaps not quite up to the high standards on show earlier in the gig, but things picked up again towards the end of the set. 'fourteen' is a great song, well structured, well layered, good chorus and propelled to another level by richard's mature and key changing vocals - think matt bellamy minus the opera rubbish. such strong vocals highlight that this is his band and these are his songs. the last song 'finding the courage' was my favourite. when it got going i was hoping the outro would last for ages, the kind of song that could have had a six minute ego stroking ending (the fact that it didn't again shows there's thought behind the writing), but with an abrupt finish their set was over and it was time to head into the night...

all in all it was good to get back to the midweek grass roots of music with a band i knew little about. during the set i felt slightly disappointed with the rest of the band - happy to just provide the backdrop for richard to shine, but on reflection that's all they needed to do. shine richard does. extremely impressive vocals, catchy songs and the ability to veer nicely between languid and energetic. for i dream in colour to progress and climb that musical ladder where the big shot guitar techs jump onboard, they know what they need; a name change to something beginning with 'm'... so while they consider new band names, i'll try and work out what 'guitar' is short for.

i dream in colour played:

ready to go

get along

if you

alibi

on my mind

fourteen

finding the courage

7.5

*copyright of mat horne & alexander oakley. jokers.

"hi pod, please shut up and go listen to these real beauties"

with the hardest working day of the week now consigned to water cooler history, and only four office days left until field day festival i thought i'd get home, relax and put my weary feet up with some terrible television. i wanted terrible but watchable tv. you know, shit, but still leaves you feeling warm inside (surprise surprise, howard's way, that kind of thing). to my annoyance i've painfully just watched the first 41 seconds of 'snog marry avoid?' and i'm left questioning our existence. but instead of writing a tear and blood stained final message directed at jenny frost, 'pod' and overweight orange girls giving them the satisfaction they crave, i've instead gone through my itunes to make a rather more life embracing note of my favourite five albums of 2010 so far. so for all those looking for something other to do than start gang warfare against glowing perma-tan girls, go listen to the following...

foals, 'total life forever'

raising the bar not just for bands from studious oxford, but for all british bands right now. amazing. 9

favourite song... 'spanish sahara'

arcade fire, 'the suburbs'

not out for a few days yet, but thankfully for us (but not their bank manager) it's leaked and is currently set on repeat on my iphone. quite brilliant. 9

favourite song... 'ready to start'

mystery jets, 'serotonin'

the strongest middle of an album i've heard in a long time, irresistibly catchy. 8

favourite song... 'show me the light'

avi buffalo, 'avi buffalo'

sounds like the album mgmt tried (but failed) to make with their second offering. poppy and summery, lovely stuff. 7

favourite song... 'truth sets in'

yeasayer, 'odd blood'

in places sounds like the perfect pilled up, loved up, but very weird summer party. odd blood, odd sounds and oddly scattered bits of genius. 7

favourite song... 'love me girl'

so there you have it, my top five. a special mention should also go to sleigh bells, ariel pink's haunted graffiti, the coral and two door cinema club who just failed to make the grade, i'm sure they're crying into their supper right now. with that written, i'm off to watch 'lee nelson's well good show'. someone pass me a gun.

i love your box

festival review >> lovebox >> london >> 16.07.10

i loved lovebox. not that i can remember much, but on that basis i can pretty much assume i had a jolly good time.

the day started with sunshine and a fear of our drinks being confiscated upon our arrival. with this in mind we necked some of our homemade cocktails in a hastily organised drinkathon outside the festival gates, resembling two naughty teenagers about to enter their first school disco for a bit of a fingering. with drinks drunk and legs a little loose, we passed the burly security guards without even a cheeky grope to check for our remaining arsenal of vodka. what was already a blur of a day, was about to get a whole lot blurrier...

my ever fading memories of friday include bombay bicycle club, the mystery jets and the maccabees, three of my favourite bands of today. they could have played boyzone covers for all i remember, so don't expect reports of set-lists or highlights from me. i can assume though from all our smiley photographs now cluttering the world of social networking, we were having a whale of a time. there's photographic evidence of backstage action, some heavy drinking, fairground rides, some wrestling with my now bruised little sister but sadly no evidence of my lost gay man-bag. said misplaced bag resulted in a night on the tiles for us. actually when i say tiles, i mean pebbles. yep, no bag meant no key, no key meant no entrance to my house and no entrance meant no bed. any remotely sober festival goer would have quickly realised that in such circumstances the one mile journey to my girlfriend's house would have been the quick fix solution. not for us. our joyous drunken mood obviously led us to mistakenly believe the pebbles in the front garden would be inviting and cosy. they weren't, but thank you lovebox, thank you for the drunken good times that have led to my now four day old aching back.

as is obvious from the above, with arsenal of vodka quickly consumed, i have minimal evidence in my aching head to back up my claims that lovebox was a lot of fun, however i can reflect from my few lasting visions and photographs that the sun helped, the lack of mud was a massive boost and the 'we're here for a day so let's fucking have it' mindset amongst everyone contributed to what made this day so forgetful - in a good way! what i'm trying to say, is that because lovebox was such a laugh the fact that we can't remember seeing anyone doesn't matter, the lost bag doesn't matter, the night spent asleep in my cold front garden and the now unshakeable aching bones do not matter... i wouldn't have had it any other way. see you next year for more of the same vicky park, pebbles 'n all...

9.5

kev and eleanore (could) go large!

gig review >> the hundred in the hands >> the old blue last, shoreditch >> 15.07.10

last thursday evening i attended a vice magazine party at the old blue last in shoreditch. the people at vice promised us "beautiful people and bands", but after a brief scout there was only one person that caught my eye - the only person in the room who seemed natural, not over dressed in her dead granny's clothes, and not competing for queen of quirky amongst her fellow hoxton heroes. step forward eleanore everdell, singer, synths and all things electric and exciting in the two piece band the hundred in the hands.

eleanore, the female half of the hundred in the hands first caught my eye last year when i saw them warm up for the maccabees at the brighton great escape festival. they were pretty good back then, so i had high expectations of them a year of growth on. they're from new yooik, and play an easy on the ear minimal avant poppy dubby electro, think the basics of crystal castles minus the screams and urge to take a load of pills and rave. more tap your foot stuff, or casually shake your hair about (as eleanore does so well). despite a few technical hitches, their set was laden with catchy pop songs from their new lp out in september such as 'ghosts', 'tom tom' and a heavier than usual version of their most popular song 'dressed in dresden'. everdell seductively propels the songs with an ease that seems effortless and natural. in complete contrast to her minimal yet perfect effort is guitarist jason friedman who crashes around his million or so effects pedals like a moody emo teenager creating a sound that bares little resemblance to what would naturally amplify from his collection of guitars. some might say the contrast compliments their on stage sound, but i found the actions of jason a bit much. for some reason mid-set he adorned one of those silly caps that a lot of the early 20-somethings tilt on the back of their boy-in-a-band-hair these days. memories of harry enfield and kevin the teenager came flashing back. occasionally the sound created by jason was too wall-of-noise for everdell's soft tones and any hooks or melodies seemed lost in his blaze of effects.

i liked the delivery from eleanore, i also enjoyed the knee jerking beats of their songs, but found myself increasingly aggravated by jason's on stage, back to the crowd performance. but with a little tweak in their live sound and stage presence here, a removal of a cap there, the hundred in the hands will soon find themselves propelled to the bigger gigs and due to the law of averages, should ensure an increase in the beautiful people as wrongfully promised tonight...

6.5

the hundred in the hands played:

tom tom

young aren't young

pigeons

ghosts

building in l.o.v.e

commotion

dressed in dresden

hello, this is bombay bicycle club, may i take your orderings please? folk, yes we do folk. would you like pilau rice with that?

album review >> bombay bicycle club >> flaws

if you're going to listen to an acoustic album, you need to be in exactly the right mood. my mood today is sleepy, hungover, and ridiculously hot. bombay bicycle club are about to release 'flaws' (out on monday 12th july), possibly the perfect album for my current state of mind.

this is a massive (presumably temporary) step away from the sound of bbc's first album 'i had the blues but i shook them loose', and there's not much on 'flaws' that will get your heart racing or your arms aloft as their first album did with such indie hits as 'evening/morning', but that's obviously not the angle of this record. what the new songs lack in effects and electronic zest, they make up for in haunted acoustic folk, heavily doused in nick drake and neil young. also on show is a maturing voice delivering more endearing lyrics; lead man jack steadman's vocals sound particularly impressive fronting this new found folk sound. highlights include the cover of john martyn's 'fairytale lullaby', the song from which the album takes its name 'flaws' and the stripped back version of 'dust on the ground', which is possibly better than the version found on their debut album. unfortunately i found some songs to be a little repetitive and forgettable as is regularly the issue with an acoustic album, but that's not to say i didn't appreciate the crouch end boys new sound, indeed praise is due for displaying such a brave and creative alter-ego. the band now embark on a nationwide church and chapel tour, but have promised to revisit their more varied classical indie sounds for their festival dates.

as my saturday night draws closer, i realise this isn't going to be the soundtrack to get spruced and bruced to, but for now, as i sit resembling a lobster, struggling in the hot english sunshine, it's perfect.

7

sarah told him to listen to the mystery jets...

album review >> the mystery jets >> serotonin

riding my bike through london in a mad dash to work, slowed by summer’s whirling winds, the light spitting rain and HGVs is a tough and dangerous task at the best of times. add to that my ipod beating my ear drums with the latest mystery jets album 'serotonin' and the dangers suddenly reach new levels. a lack of attention towards the heaving traffic is the obvious risk but the other problem with hearing a new album in such congested conditions is the threat of missing the best parts. turns out though, after one albeit rushed and background noise-filled listen, i've heard enough to want to race home and give it the time it deserves (minus the hazards of london roads).

'serotonin' is a good album. not great as some are suggesting but a good, upbeat, indie pop album. these chaps are obviously very comfortable with the music they're making right now and so they should be. heavily relying on the '80s for the basics of their sound, nearly every song takes interesting and unexpected twists and is backed with beach boys-inspired '60s harmonies. with my hands gripping my handle bars, i had no digital display to check the track names, so simply had to remember the basics and the things that struck me straight away: track one is a good intro to the album, track four is catchy, track seven is the stand out and it seems, most of the songs are about the loss of a girl or dizziness of drugs. off my bike and settled at my desk with said digital display in front of me (my ipod of course) i made some brief notes of the songs that really stood out, here’s what i discovered...

the first track 'alice springs' is a favourite, but also 'flash a hungry smile', 'show me the light' and the obvious yet excellent (and substance inspired) 'dreaming of another world'. title track 'serotonin' is another i could clearly recall (i initially put this down to the repeated cries of "sarah told him" - sarah told him what lads? get to the point - but it soon became clear they were indeed singing "serotonin"), but it's simply because it's a good electronically led song.

various influences include aforementioned synth based '80s pop, but also indie oldies the super furry animals and even a slight touch of more recent chord progression-based top 40 friendly acts. some lyrics are a little immature and obvious, especially in 'it's too late to talk' and 'the girl is gone', but perhaps this is the charm of this album. they're not trying to do a radiohead or take a new direction - this is pop, it's simple, it's memorable and it's an easy listen. the fact that there’s nothing too inventive or explorative here is something to appreciate at a time when so many bands panic in an attempt to challenge their fans two or three albums in. i'm hoping the simple and ear-pleasing basics of 'serotonin' keep me alert enough on my bike tonight so i can appreciate this masterful pop perfection in the comfort of my own home... go take a listen, but not on a bike.

8

better late than never, total life forever

album review >> foals >> total life forever

every year there are one or two albums that completely blow me away. the kind of album that if i was listening to it on a cassette during my pubescent days, would have died in a pile of thin black tape after only a few listens. last year it was the brilliant 'primary colours' by the horrors, played to a point where i knew the songs so well, i felt like i wrote them.

this year it has to be 'total life forever' the second album from foals. every song is just the right length, even 'spanish sahara' at almost seven minutes leaves the listener begging for more. it's quiet and timid to begin with but then brilliantly, leaves you just when it finally arrives. after the first listen 'after glow' was the one track i struggled with out of all of the oxford lads' offerings, but on reflection and after countless plays it's now up there, knocking about with my other favourites on the 2010 musical pedestal (alongside previously mentioned 'spanish sahara', 'this orient', 'total life forever' and 'black gold'). best part of the track? skip to roughly three minutes in and it transforms from a melancholic growl into an explosion of funky beats that get my head a-nodding and feet a-tap tap tapping.

the vocals on this album push yannis to a level he didn't even attempt on 'antidotes' and the lyrics seem personal. the music is catchier than ever and the songs have that "i need to see these live" effect (foolishly i turned down the chance to see them in camden a few weeks ago, what a twat i am).

i should have reviewed 'total life forever' when it leaked in the weeks leading up to it's official release, but sometimes it's best not to rush an opinion. i'm now convinced it belongs in the list of the elite albums i've heard in recent years. i don't declare to know everything about music and i'm not hip enough to know every trendy band that's filling the shoreditch gutters, but i do know that this is an album that will last. well, at least until next year...

9